Bliss - Pork 'n' Cockin'

Here is the download: Bliss Recordings

Bliss was a band from Athens in the 1990-1993 time period, featuring the excellent recording engineer/bassplayer Andy Baker as well as Will Low and Joe Rowe on guitar/vocals and drums. They were the first Athens band in my memory that adopted the Dischord style of postpunk but brought an Athens area sound to it. As I have mentioned before, they were one of my favorites from the Fuel compilation, but like many of the artists from this era, they disbanded before I moved to Athens and could see them live. They also released two cassettes, Man Comes a Knockin' and Drive Hard, but unfortunately I don't have these in my collection. If anyone has MP3s of these releases, I would love to hear them.

I know Andy Baker went on to record amazing records at Chase Park Transduction and elsewhere, and played in several bands including Servotron. Will Low left Athens to work for IBM, and Joe Rowe played in The Glands as well as Casper and the Cookies and now does his own thing as The Goons.

Here are the lyrics/artwork from the single as well as the insert from the Fuel compilation:

You never get to say goodbye

As many of you have probably heard, Jerry Fuchs passed away yesterday. It is not my intention to use this forum to discuss the tragedy specifically, but instead put some thoughts down about Jerry and his life and talent. I really encourage all of you to do the same, in whatever way you decide to do it. He made an impact on all of us, whether it was personal or through his music. I would not have considered our friendship to be close by any means, but based on how I feel I can’t even begin to imagine what it must be like for his family, friends and bandmates and the grief they are experiencing. For everyone out there going through this, you have my condolences and utmost sympathy.

To put it in simple terms, Jerry was the drummer that I always wanted to be. He had an amazing natural style that you can’t acquire, and he worked hard to take that talent to an extraordinarily high level. He was the master of his trade. Along with his unbelievable musical ability, he had such a vibrant personality and an energy that was an inspiration to us all. He was living his dream as a professional drummer, which could have been perceived by most as a truly difficult road to take, but he always put it in terms that made it sound like such an adventure. He was doing exactly what he wanted to do, and we were the ones lucky enough to be his audience. We should have had a lifetime of experiences, but instead all we have are a stack of records and some video clips. It’s nothing. We will never experience his love of life, his intensity, his humor again.

That’s all I think I can say for now.

Mouse

Here is the download: Mouse 7"

In honor of The Jesus Lizard's return to Atlanta tomorrow night, I am posting the Mouse 7" from 1991, which according to the bio below does not technically include Jesus Lizard drummer, 86 drummer, Phantom 309 bass player Mac McNeilly, but he did join the band later and honestly it really sounds like him on the recording. Here is a little bio on Mouse from the interweb:

About Mouse

Mouse is:
Jenny McNeilly - Guitar, Vocals
Jackson Wilson - Guitar
Eddie Carlson - Bass
Mac McNeilly - Drums

Mouse was formed eight years ago at Cafe Express in Evanston. Jackson and Jenny were reprimanded and permanently separated from working shifts together for talking too much, but not before arranging the fateful first practice. This practice would also include their co-workers, drummer Alan Eberhardt and Swedish-American bassist Eddie Carlson, who rounded out what quickly became a writing and recording machine.

The group was dealt a serious setback when Alan moved to Alabama to fix knees, but not before they released a single, "Caesar Salad," on Worry Bird Records, and contributed to two compilation albums. Mouse then went on a two-year hiatus in order to be reborn from the ashes of themselves, but not before Jenny married Mac, who would become the next Mouse drummer, but not before they had two children. She forced Mac to quit the Jesus Lizards, and they proceeded to call Jackson and Eddie to ask if they could play. The rest is history. Rock history.

Mouse went on to write and record a vast library of as yet unreleased material with the generous help and expertise of Steve Albini, which in due time will ensure them a prestigious seat in the Rock pantheon, but not before someone decides to release some of this music.

If anyone has MP3s of these unreleased Mouse songs, pleeeaaassseee email me. This single was put out by David T. Lindsay's Worrybird label, probably the best Atlanta record label of the late eighties/early nineties. I will be posting several other Worrybird releases in the near future. Let me know if you have any requests.

Also, there have been several excellent stories on the Jesus Lizard's Atlanta show, including interviews with Mac McNeilly by Chad Radford in Creative Loafing and Jon Kincaid in Stomp and Stammer. Enjoy the reading.

Back cover:

Slumberjack - In The Studio and Live

Here is the download: Slumberjack Music

1-3: From High Heat 7"
3-5: From Slumberjack Demonstration Cassette II
6-8: From Re/Fuel Compilation

Also, Henry sent me a live show from August 8, 1994 at the Atomic Music Hall in Athens, which you can download here.

Slumberjack existed for a short period between 1992-1994 and included the rhythm section of After Words (i.e. Craig McQuiston and Kevin Coley on bass and drums, respectively). Christopher Lambert handled vocal and guitar duties, and later on they added a second guitarist named Petruska. Where After Words were influenced by the proto-emo/postpunk from the Washington D.C. area, Slumberjack took a more midwestern/Chicago noise rock slant. They fit right in with the other big bands of the area - Fiddlehead, Martians, etc. but also had a more refined sensibility that could have presumably brought them a major label deal, especially in this time period. It was not meant to be, however, as they broke up after only releasing two demo tapes, a single on Half Baked Records, and an appearance on the great Refuel compilation. I saw them live only once, opening for Gas Huffer and The LaBrea Stompers at the amazing Hoyt Street Station in the Fall of 1993, but I remember it as an impressive, loud set.

After Slumberjack met their demise, Craig McQuiston went on to play in several of Athens rock elites including The Glands, The Tom Collins, Elf Power and with David Barbe solo work. Lately he has been a tour manager for bands such as The Hold Steady. I'm not so sure of the other guys, but it's a small part of the world we are living in, I'm sure one of you knows.

Here is the artwork to their High Heat 7" and 2nd demo tape:

Cabron - Mexican Camel Tow

Here is the download: Cabron - Mexican Camel Tow

Cabron is/was the band that Mr. Bob-Rob Medina started in San Diego after leaving Atlanta and Chocolate Kiss behind in 2002. They kind of started out as some old guys playing the music of their childhood, but since have turned into quite a respectable Socal punk-hardcore band. They would regularly play with every classic punk band in the area (I believe their last show was with the Germs), and also venture south of the border to play punk shows in Tijuana and elsewhere. From what Bob tells me, playing a punk show in Tijuana is like going into a timewarp to hardcore from the early 80's. Playing bombed out spaces plugging everything into one extension cord running down the street, full circle pits, dudes with liberty spikes, etc. Sounds pretty unreal. Here is their latest recording, and you can find their earlier album/demo here.

Bob has since moved with his wife Ana to Alexandria, Egypt and continues his day job as a teacher, although I hope he can join up with some Egyptian punkers and start a band there. He keeps a great blog about his experiences called Camels and Tacos, which I would recommend checking out every so often as it gives you some perspective on being an expatriate in an Arab country, which can be quite interesting.

The Mascara Aesthetic - Shake The Golden Calf

Here is the download: Mascara Aesthetic - Shake the Golden Calf

The Mascara Aesthetic was a kind of intermediate band in the 1998 time period between the two longer running bands Wheeljack and Electrosleep International. Michael Keenan and Sean Greathead from Wheeljack teamed up with Josh Fauver from The Perpetual Sciamachy Theorem and Titus as well as Derek Beber to continue in somewhat the same vein as their previous bands, but tightening things up a bit and taking it to a higher level. This time Michael takes lead vocal duties and plays synths, while Josh is on drums, and some impressive drumming I must admit. Sean and Derek take guitar and bass, respectively. I saw Mascara Aesthetic play a few times (once at the UTC show above with Red Monkey and the first Chocolate Kiss show), and remember the angular chaos they emitted, but I am very pleased they made this "demo" before breaking up. This is a complete album of material, and honestly a shame it wasn't ever officially released on a label, as it is a great recording and shows the evolution from Wheeljack to Electrosleep.

Supposedly Sean quit the band and was replaced for a short time by Phil Ritchie from Flakscrampe Traumantra, but only played one last show (with David Ahuja from Wheeljack on drums) opening for Ink and Dagger at Under The Couch, and by 1999 they were done and Electrosleep International started, with Michael and Josh teaming up with Scott Rogers (Wheeljack, Flakscrampe Traumantra) to bring us into the 2000's. After this, of course we have Michael Keenan playing in Battlecat, Airoes and most recently Hawks, while Josh Fauver starts SIDS and later joins Deerhunter. Sean did the Ananke project with me in 2001, then moved to NYC, played in Amverts and now plays in Nights. The rest is ancient history.

Flap - Brotherload b/w Bruised Molecule (1992)

Here is the download: Flap - Brotherload/Bruised Molecule 7"

Update: Michael Koenig who plays in the band Lesbian Afternoon has posted live footage from their show on YouTube, here is a sample:

As Flap has a show coming up this Friday October 23rd at the 529 Club in Atlanta, I thought it would be appropriate to post their Half Baked single from 1992 here on the blog. Mr. Radford posted a nice blurb about them and the upcoming show, check it out here. Musically, Flap (especially this era) really treads some dangerous ground, being a quirky acoustic guitar duo with so much going on in their songs, but somehow keep it all together and make it work. It's an impressive feat, and definitely not a safe route to take for a band. I wonder if a band like this could even exist today and get to the same notoriety that Flap did in their heyday. They really won people over back then, and I remember them being one of the bigger experimental bands in town with some very devoted fans, including Amy Potter from Half Baked records. I love reading her reaction, though, to their decision to leave the label:

Well, in the spring of '94, Flap called me from Chicago wanting off the label to pursue other opportunities and better distribution. Apparently, they had found someone else in Chicago to put out their records. I just hated the way they told me. They called me collect; they had borrowed my van to make the trip (which I had bought so they could go on tour); and then they had the nerve to ask me when they were getting royalties for there record (it had not even come close to breaking even). I kept asking myself - "why can't you wait 'til you get home to tell me this shit?" I was pretty angry, but relieved, so I let them go.

You have to love the internet for keeping this stuff online for 10+ years, very entertaining if not at all applicable 15 years later. I wish them all the best for Friday's show. I would check it out myself but I will be at another show a few miles to the west of the 529 Club that night.

Here is the rest of the classic artwork by Ben Rush and the insert for the single.

Ananke - This Was It (December 2001)

Here is the download: Ananke - This Was It

I wrote the following summary for the Stickfigure Records site, but Gavin hasn't included it yet. He's a busy guy, but it's okay because I still owe him plenty of stuff myself, so we're even.

In the Fall of 2001, Benjamin Lukens made plans to leave his hometown of Atlanta to New York City to continue his college education, but wanted to form one last band with his old friends in town for the purposes of quickly writing a few songs, recording, and playing a few shows before moving away. With him on bass, he enlisted his friends Alex LaRoche (guitar), formerly of Go Back To Europe, Sean Greathead (guitar) formerly of Wheeljack and lastly James Joyce (drums), who he had played previously with in The hal al Shedad. James came up with the name Ananke, who was the Greek goddess of destiny, necessity and fate, from a Stanislaw Lem short story he read. They wrote five songs and learned one cover song ("Natural's Not In It" by Gang of Four) in about six weeks and played three shows: one at the EARL, one at the Echo Lounge, and one at the Stickfigure Headquarters' C-12 Warehouse. The original songs were recorded by Alex LaRoche at the Under The Couch studio at the end of Georgia Tech finals week, and a small run of CDRs were produced for the Stickfigure CDR label. They were not around long enough to truly develop their sound and music, and the songs themselves were never formally titled. However, the tracks on this demo have an interesting, spontaneous feel that you do not get from more established bands. Only Ben and James had played together before this point, so there is definitely a sense of learning about each other's musical attributes and abilities in these songs, and some interesting ideas result. I believe the band wrote one song at each practice, and then immediately played them live, so this was a nice challenge musically for everyone involved. After the New Year, Ben and Sean moved to New York City and formed another similar band of Atlanta transplants called Amverts, Alex moved to Austin to begin his career in the computer industry, and James joined a few more bands before moving to Amsterdam, continuing his career in the pharmaceutical industry. This recording is essentially a snapshot of a group of friends getting together on their last college days to have one last creative musical experience before moving on to the next stage of their lives.

Listening back on the recording again, it's really striking to me at how inventive and creative of a guitarist Sean Greathead is. The guy has a style all his own, and I'm kind of disappointed that he moved to NY soon after this as I would love to have kept playing with him. I also liked playing with Alex as well, he is a funny guy and has a nice laid back attitude for playing music that is so beneficial to have in a band. This was also the first band I played in after the whole DIY music paradigm shift occurred, making it possible to make decent home recordings and release a CD-R of your band immediately and with relatively no cost. We never had to book time at a real studio, and we didn't need to convince a label to put out our music. We did it ourselves, and have a decent recording and package to show for it. Not bad.

According to my notes, we actually played four shows - the first one at the EARL with Copa Vance, the second at the Echo Lounge with Astroblast and Audomobil (see flyer below), a third at Squaresville with Ocelot and The Love God Murder, and the last at C-12 with Airoes, An Albatross, The Tom Brokaw Has Anthrax (great post 9-11 name), and Ultivac - see flyer below. I thought Blame Game also played this show, but maybe my memory is faulty on this one. And I have no memory whatsoever of Ananke playing at Squaresville with Ocelot and LGM, so maybe that one fell through.

Here is the rest of the artwork from the CD-R.

Here is also a video taken from the last show:

Is The Human Heart So Selfish - A Benefit For Food Not Bombs

Here is the download: Food Not Bombs Compilation

Here is the track listing:

1: Orlock - Dressed Up

2: The Mike Douglas - Untitled

3: Aslund Constant - Number Six

4: The Party of Helicopters - There's A Bomb In My Food!

5: The Perpetual Sciamachy Theorem - Acquiring The Asymmetric Ear

6: Griver - Postmarked Division

7: Twenty Seven Hours - Dear You

8: Wheeljack - Baton

9: Cerberus Shoal - Broken Springs Spring Forth From Broken Clocks

10: Blue Stockings - Bubble People

11: Quadiliacha - What's Wrong With This Picture

12: The Forty-Two - Sound Age

13: Bughummer - Bird Dog

14: Full Scale Replicas - Raised

15: Flakscrampe Tramauntra - The Lost Art of Dueling

16: Titus - The What Little Boys Are Made Of Trilogy

I cannot tell you how many benefits I have played for Food Not Bombs. Back in the nineties, they were like the pet charity of the DIY hardcore/postpunk/indie scene. Sometimes it seemed like half the VFW/basement/warehouse/etc. shows I would play or attend would have some sort of affiliation with Food Not Bombs. I hadn't really heard so much from them over the past ten years or so, but then the other day I saw a banner and a group of people giving out food from a shopping cart at the plaza across from City Hall East on Ponce. It was a nostalgic moment for me.

So this compilation came out sometime 1997, but for some reason I never owned it. Jon Lukens gave me a copy a while back and finally I'm getting around to posting it here. This is actually a great compilation, with many unreleased songs by some awesome bands from this time period, at least in the tiny scene we had at the time. I believe the CD was put out by someone in Athens and maybe came with a zine, but I definitely do not have the zine or any more information on its origins. The bands on this compilation mainly hailed from the Atlanta/Athens area, however you have some notable regional bands (i.e. Bughummer from Savannah and Griver from Chapel Hill area) as well as some bands from farther out (i.e. The Party Of Helicopters from Kent, Ohio and Cerberus Shoal from Portland, Maine), which I'm sure are on the compilation due to their connections with Stickfigure Records.

As for the local talent, there are some unreleased songs by Wheeljack and The Forty-Two, songs I very much remember from their live shows, so for me it was like a little trip into my house show past. There is an Aslund Constant song, which was Bryan Fielden and Craig Lee Dempsey from The Forty-Two (pre-At the Price of the Union and San Agustin) along with Lewis Lovely from Scout on bass. We have a song by The Mike Douglas, which was a band started by Will Greene from Quadiliacha up in Athens, and included Damian Schafer from Levelhead and later The Walt Lariat. There is a Quadiliacha song included as well, once again being probably the most prolific band - compilation wise - from this era. I believe this was the only Flakscrampe Tramauntra song released (post Wheejack, pre Electrosleep International, Carbonas, GG King, etc.), but you can get all their other songs on this blog as well. Another noteworthy item on this compilation are two of Josh Fauver's early bands, The Perpetual Sciamachy Theorem and Titus (also featuring Dave Ahuja from Wheeljack on drums), before he played in The Mascara Aesthetic, Electrosleep International, Action Porn, SIDS, Diet Cola and most recently Deerhunter. I am not sure about the origins or conclusions of Orlock, Blue Stockings or Full Scale Replicas, but maybe someone out there can inform us. I also never heard of Twenty Seven Hours before, but I did find their Myspace page and found out they were related to the Pink Collar Jobs, which I remember from the old days. Enjoy the music.

No Walls (1988 - 1992)

Here is the download: No Walls

Here is the breakdown:
1-5: from the demo recorded at Electric Lady Studios
6: from The View compilation
7-13: from the self-titled album

No Walls was the band William "Kip" DuVall formed in Atlanta a few years after returning from California playing guitar in the SST band Bl'ast. Before that, he was the guitarist for the seminal Atlanta hardcore band Neon Christ, coincidentally the first hardcore band I ever heard, probably around 1987-1988. Randy DuTeau from Neon Christ did a great interview/overview of William DuVall's career and personal history here, so I don't need to revisit and try to encapsulate everything again in this format.

I knew No Walls from their song "Never Fall Apart" on The View compilation, which I loved for its loud, noisy quality but also its maturity and uniqueness. It was a perfect song to end the tape, and possibly my favorite. They were definitely mysterious, which only increased as I couldn't get into their shows as a spry 15 year old. Then in 1992, Ted Selke from Full Moon Records and The Seventh Ring of Saturn put out their full length album and as what happens in most cases like these, the band promptly disbanded. I picked up the cassette around this time at Chapter 3 records in Norcross, very excited to hear more of the strange, noisy, melodic music from these guys, but instead it was pretty straightforward and a little too polished for my tastes (especially back then), so it didn't really become a classic for me. However, I recently acquired a copy of the demo they made at Electric Lady studios under the mentorship of Vernon Reid, and this got me excited about hearing the band again after 17 years.

After No Walls was over, William played in several other bands including Madfly in Atlanta and Comes With The Fall, which brought him to Los Angeles and now fronts Alice in Chains, which would make anyone's arena rock dreams come true. As far as the other members of No Walls are concerned, Henry/Hank Schroy has amassed quite a resume of musical adventures over the years, but I'm not sure about drummer Matthew Joseph Cowley. Check the comments section in a few days, and I'm sure someone will let us know.

Here is an article written about them in Rolling Stone, as well as the artwork from their album, which you can still purchase at Full Moon Records, by the way:

Jack' O' Nuts - La Horne 7" (featuring Chris Lopez)

Here is the download - Jack O Nuts 7"

I guess Laura Carter took a backseat on this single, as the only vocals present are on the cover of "My Shadow In Vain" by Tubeway Army, which I assume was done by Chris Lopez, hence the credit on the artwork, but I could be wrong. It's a great version though, possibly the best Gary Numan related cover I've ever heard, and the artwork on the single is just brilliant. When I got this from the Georgia Music Show archives, I couldn't stop laughing at the cover, and really had to borrow it to post on the blog.

As you probably know, Chris Lopez was the king of the Atlanta indie rock scene in the nineties, fronting Seersucker (with members of Dirt) as well as The Rock*A*Teens and now Tenement Halls, with great national/international success. Between him and Cat Power, Cabbagetown really became a household name. It's funny how Atlanta had/has such a stigma associated with it that indie bands would list places like Cabbagetown, Old Fourth Ward or some other Atlanta neighborhood their place of origin instead of Atlanta itself. Maybe not so much anymore, with so many popular bands coming from our fair city, but it was an interesting phenomenon about ten years ago.

Enjoy the single, and check out more Jack O Nuts here and here.

The Divine Phantom and The Love God Murder - Live at the EARL January 31, 2002

Here is the download: The Divine Phantom and The Love God Murder

Here is a show I recorded at the EARL on my then new mini-disc player back in January 2002. The Divine Phantom was the solo project of Craig Lee Dempsey (The Forty-Two, Aslund Constant, Lowboy, Good Friday Experiment, At the Price of the Union, Thoroughbred, etc.), which was his take on the solo Americana stuff years before it became the cool thing to do. Spooky stuff, I wish he kept at it.

The Love God Murder was the original name for Joseph Plunkett’s band, The Weight. This incarnation featured Marlow Sanchez (All Night Drug Prowling Wolves, Rent Boys, Swing Riot, etc.) on bass guitar, Susan Rose from Portrait on violin, Craig Dempsey on lead guitar, and I can’t remember who was on drums. Many people have played in Joseph Plunkett’s band over the years, including even Kenn Two Four if you can believe it. Soon after this, Joseph changed band names to The Weight, moved to Athens for awhile, and then relocated to Brooklyn and has enjoyed great success with his team up there. In the past few months, he came back to Atlanta to record a new album at the Living Room Studio with Ed Rawls and Justin McNeight at the controls, and got married. Congratulations Joseph, hope you enjoy this old recording I dug up.

The Lids - Something To Do

Here is the Download – The Lids Die Slaughterhaus 7”

Much has been said about the tragic passing of Bobby Ubangi earlier this year, so I thought I would post one of his first singles here. The Lids were around in the early part of this decade, consisting of Bobby Ubangi on guitar/vocals (Gaye Blades, Bobby and the Soft Spots), Dave Rahn on drums (Carbonas, Gentleman Jesse and His Men, Baby Shakes, etc.), and three female singers including Valery Lovely, Alix Brown and Sara Harper. From this band I only previously knew Valery from her days booking shows at the 485 Robinson house in Grant Park, which hosted many great shows back in the 1997-1998 era, and of course through her sibling Lewis Lovely, soundman extordinaire and bassist for Scout. She is also a great photographer and is likely sitting on an amazing collection of photos and videos from the past twenty years. Maybe someone can convince her to release a book of her photographs, I know I would be interested.

This is the single for “Fool For You”, “Too Late” and “Something To Do” released on Die Slaughterhaus records, DSH02 to be exact. I saw them play once with The Carbonas and The Tyrades at Dottie’s around 2002, or maybe it was Lenny’s by that time. It was a great show – all the bands brought it, especially the Tyrades. I was most interested in seeing them, as I was high school friends with the bass player Robert McAdams and never got to see him play in a band before. It was also great to see Francis Jensen (The Forty-Two, Chapman Park) play drums again. Enjoy the single.

Judi Chicago On Video

Judi Chicago - Fun City from Judi Chicago on Vimeo.

Yes, that is my daughter in the video, attacking Atlanta like she does my record room.

Judi Chicago will be playing with Social Studies (aka Chris Devoe and Zano) and many others on Saturday night on the roof of the Glenn Hotel to commemorate the release of the Fun City video and 7”. It should be a great evening, and it’s free, so what have you got to lose? Hope to see you there.

Here are some other videos of Judi in a live performance setting:

Judi Chicago - Mad Ape live at 529 4/25/09 from Travis Thatcher on Vimeo.

Judi Chicago - Bad Spell live at 529 on 4/25/09 from Travis Thatcher on Vimeo.

Vertex T. - This Is Not A Test

Here is the download: Vertex T. - This Is Not A Test

This is a little bit of a different post for me, as I have no idea what this single is all about and cannot give you any further information apart from the music and what was included in the packaging. I tried to look up something about Vertex T. online, but could only find someone on ebay selling this single for $15 and also no additional information listed. The seller mentions in the post that the single has never been played, which can be a good thing or a red flag depending on your perspective and the record in question.

Adam "Bomb" DeVore recommended this single from the archives of the Georgia Music Show, which he hosts on Wednesday nights from 6-8 PM on Album 88. I was able to visit their studio a few months ago and borrow several records and CDs to use for posts on this blog, which will delve into different scenes and more uncharted territory over the next few months. This is the oldest piece of music they have in their local stacks, recorded in the Summer of 1985 at the Pillowtex Warehouse in Atlanta and the Back Street Juveniles' Studio in Macon, which I have also never heard of. It definitely has that mid-80's obscure novelty music feel, maybe not the strangest music you are going to find on this blog, but certainly out there. Once again, if anyone knows anything about Vertex T., please comment.